What was the primary goal of German Expressionism in film?

The primary goal of German Expressionism in film was to convey the character's state of mind. This movement emerged in the 1910s and 1920s as a reaction against realism, employing stylized visuals and exaggerated forms to express emotional and psychological states. The filmmakers often used distorted sets, sharp angles, and dramatic lighting to reflect inner emotions and turmoil, allowing the audience to sense the characters' psychological experiences rather than just what occurred in the physical world. This technique was particularly effective in films such as "The Cabinet of Dr. Caligari" and "Nosferatu," where the environments and visual elements served to externalize the internal struggles of the characters.

While other options touch on aspects of Expressionist film, such as visually striking imagery or social commentary, the core aim was deeply rooted in exploring and representing emotional depth and mental landscapes, making it a defining characteristic of the genre.