Which characteristic is NOT associated with Italian Neo-Realism?

Italian Neo-Realism is a film movement that emerged after World War II, characterized by a focus on the everyday lives of ordinary people and a stark portrayal of social issues in post-war Italy. This movement typically employed on-location filming to capture authentic settings and real-life situations, contributing to the overall realism of the films. The visual style often involved a documentary-like camera technique that emphasized a raw and unpolished aesthetic, devoid of elaborate sets or staging.

Another notable trait of Italian Neo-Realism is its use of a Marxist aesthetic, which underscores themes of class struggle and the difficulties faced by the working class. Filmmakers like Roberto Rossellini and Luchino Visconti often explored social inequality and portrayed characters grappling with economic hardships.

In contrast to these characteristics, the reliance on computer-generated imagery (CGI) is not a feature of this movement. The ethos of Italian Neo-Realism was rooted in authenticity and realism, which meant that filmmakers avoided artificial techniques and special effects that CGI would entail. This distinction highlights why the choice reflecting heavy reliance on CGI does not align with the fundamental principles of Italian Neo-Realism.