Which film is regarded as the first big commercial hit of Italian Neo-Realism?

"Bicycle Thief" is widely regarded as the first big commercial hit of Italian Neo-Realism due to its powerful storytelling and authentic representation of post-war Italian life. Released in 1948 and directed by Vittorio De Sica, this film epitomizes the Neo-Realist movement by focusing on the struggles of ordinary people, specifically an unemployed man navigating the challenges of poverty as he searches for his stolen bicycle, essential for his job.

The film's use of non-professional actors, real locations, and a narrative grounded in the everyday experiences of working-class individuals made it a defining work of the genre. "Bicycle Thief" resonated with audiences not only in Italy but also internationally, helping to promote the principles of Neo-Realism—realism, social commentary, and an emotional connection to the characters. Its commercial success contributed to paving the way for the recognition and appreciation of Italian films that followed.